In mid-2019, the exposition Italy: The (In)visible Stories set off for a tour around the world, with Gosselin’s help. “The project ran into corona problems along the way. Fortunately, this didn’t get in the way of moving the art nor did it put a damper on the enthusiastic reception,” according to organizer Riccardo Anderi of Glocal Project.
What happens when you combine art and heritage with the Italian embassy’s network and Gosselin’s know-how? This results in a surprising and varied exposition on the soul of Italy, organized in minute detail, and travelling through Armenia, Bosnia-Herzegovina and Bulgaria.
Our Italian team is well-known for art moves. This time they organized the move of 55 paintings from Trieste, Italy, to Yerevan. The exhibition was desired by the Italian Embassy in Armenia.
Niko Pirosmani never could have known that his works would travel the entire continent after his death. Destitute at the time of his passing one hundred years ago, the Georgian artist’s work is now worth millions. Pirosmani didn’t achieve international recognition until after his death, inspiring greats such as Picasso.
Even as a teenager, Gian Lorenzo Bernini spent his free time working with a hammer, chisel and block of marble. Over 300 years after his death, this prodigy of the Baroque movement is still highly praised by art aficionados from every corner of the world. Gosselin Mobility is currently taking part of Bernini’s oeuvre on a unique journey to a few of these very corners.
After more than 42 years, Antwerp has said farewell to the Lauranda, the ship docked next to the medieval fortress Het Steen. The specialists at Gosselin’s subsidiary, Heavy were charged with the delicate task of towing the inland navigation vessel away.
Their cuisine, their cars and their art; Italians are justifiably proud of all three. Gosselin Mobility recently had the privilege of sharing in this pride with a unique transport of 34 Caravaggios.
